Category Archives: Rock Music

Rock music in panorama: Book review of Bill Flanagan’s Evening’s Empire

As a sucker for novels set in the milieu of rock music, I was blown away by Bill Flanagan’s Evening’s Empire, partly because it is completely different to all the others I’ve read. Rather than embedding the reader in a character who is a singer or guitarist in a band, the hero of Evening’s Empire, [...]

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Real singing: Music review of Brutalist Bricks by Ted Leo & the Pharmacists

The exuberance of Ted Leo on ‘The Mighty Sparrow,’ the opening track of Brutalist Bricks, the fifth album from Ted Leo and the Pharmacists, is enough to sweep away all those lingering thoughts of the death of rock. This man goes for it! His brand of punk/pop is old-fashioned, somehow a cross between XTC (in [...]

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Genuine arty art-rock: Music review of Sisterworld by Liars

I bought Sisterworld, the fifth album by American three-piece art-rock band Liars, because I’d read the band proclaimed itself ‘free of influences’. And an otherworldly cocktail of rock, post-rock, jazz-rock and chamber pop Sisterworld proves to be. Never conventional, the band takes each song down odd, disjunctive roads, alternating dissonance, guitar squalls, moody melancholia and [...]

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Brit magic: Music review of Sparkle Lane by Edward Rogers

Edward Rogers is an oddly positioned singer-songwriter of a type only Britain can produce. On Sparkle Lane, his third album, he pens imaginative, well-arranged songs that straddle folk-rock, Kinks-style pop and Bowie-style glam. One minute the listener is channelling Mott the Hoople in the wonderful title track, the next brings rolling modern folk like the [...]

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Sublime post-rock Brit folk: Music review of Tunng’s And then We Saw Land

Tunng is a subtle mix of folky music allied to complex arrangements of imaginative, insistent drumming and brilliant keyboards. Their previous album Good Arrows was whimsical and pleasurable; And then We Saw Land is a step forward, adding to the mix passionate, anthemic moments that seize the listener. Both of the band’s singers, Mike Lindsay and Becky [...]

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Heavenly electronica: Music Review of Four Tet’s There Is Love in You

Electronica and I have had a love/hate relationship, tilted more towards the latter, ever since I saw Tangerine Dream in concert in the 70s. I shun the vapidity of club music and therefore rarely buy electronic artists, but every few months I’m drawn to try my luck once more. I was told Radiohead cited Four [...]

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A dose of punk: Music review of The Soft Pack

Punk was the shout, the sneer (Johnny Rotten!), the rattling beat, the chorus. Punk is still all of those aspects, but I left it behind after a 70s love affair. Rarely does modern punk call to me, and if it does, the key has to be the melodic content. Melodic choruses drew me to the [...]

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Frothy 60s pop: Music review of Volume Two by She & Him

Most forays by actors into music are not worth listening to, but the first album from She & Him – actress Zooey Deschanel teamed up with beguiling singer-songwriter M. Ward – was spirited and atmospheric. She & Him are back with Volume Two, with eleven original Deschanel songs and two covers. The sophomore release is as [...]

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The alt-pop voice from heaven: Music review of Broken Bells

The end of the Shins felt premature, so when its pivotal member, James Mercer was announced to be working with producer/musician Danger Mouse, loud cheers could be heard. And the fruit of that collaboration, the self-titled release of Broken Bells, has been worth waiting for. Mercer writes nifty, slightly askew alt-pop songs with Stipe-ish, involving [...]

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A ripper: Music review of The Night Before by James

Nineties band James achieved stadium status in their British homelands but are not well-known elsewhere. They disbanded in 2001 and their key member, singer/lyricist Tim Booth put out a memorable solo release. They reformed in 2007 with the fine Hey Ma and have now adopted a calculated approach of releasing over 2010 two mini LPs. The [...]

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